| Title | Date | Views | Brief Description |
|---|
| Polymeter in Twentieth-Century Music: A Study in Notational Methods |
2008 |
1861 |
The purpose of this study was to find rationales for polymetric notation by studying selections of twentieth-century music. By discussing the nature of various passages, notational methods were linked to each different polymetric scenario. A distinct... |
| Composing music more accessible to the hearing-impaired |
2009 |
852 |
"A hearing-impaired individual's perception of the world is not devoid of music. Unable to hear sounds the way most people can, deaf persons often receive audio information through other means including: the tactile sensation of sound vibr... |
| Collapse : for three cellos, two basses, and two percussionists |
2009 |
376 |
Music score... |
| Collapse |
2009 |
501 |
Audio file... |
| Collapse |
2009 |
756 |
Video file... |
| Live manipulation of documentary audio in a narrative electroacoustic concert piece |
2011 |
300 |
Documentary musical and theatrical works span a wide variety of genres, styles, and media. Such musical works typically involve fixed electronic media, either alone or--as in Steve Reich's Different Trains--with an accompanying acoustic ensemble. Mos... |
| Bipolarity |
2012 |
32 |
The purpose of this work is to explore the possibilities of advanced contrapuntal techniques in music. Bipolarity is a composition consisting of two complete, self-contained works that were also designed to be performed simultaneously. The fact that ... |
| Universal density: a musical representation of astronomical objects and concepts |
2012 |
13 |
Universal Density is a musical composition for digital electronic media. It takes the listener on a rapid tour of the universe that starts in the far away Southern Local supervoid and abruptly ends at the edge of our Solar system. Various astronomica... |