Revolutionizing Nineteenth-Century Flute Technique: Hugot-Wunderlich’s Méthode de Flûte (1804): Part I
- UNCG Author/Contributor (non-UNCG co-authors, if there are any, appear on document)
- Kailan Rubinoff, Assistant Professor of Musicology (Creator)
- Institution
- The University of North Carolina at Greensboro (UNCG )
- Web Site: http://library.uncg.edu/
Abstract: On 1 vendémiaire an 12 of the
French Republican calendar (24
September 1803), a curious necrology
appeared in the Correspondance des
amateurs musiciens, a weekly newsletter
that reported on concerts, aesthetic debates,
musical instruments and publications for
sale, and various other items of interest to
Parisian music lovers during the turbulent
years following the French Revolution.1
The notice reads, “We have just lost in a
very short period of time two men who are
equally dear to the art of music, to their
families, and to their friends.” As two of the
leading virtuosi of the day, these men—François
Devienne and Antoine Hugot—were
especially dear to the flute world.
Revolutionizing Nineteenth-Century Flute Technique: Hugot-Wunderlich’s Méthode de Flûte (1804): Part I
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Created on 4/25/2013
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Additional Information
- Publication
- Language: English
- Date: 2010
- Keywords
- flute technique, 19th century flute technique, flute pedagogy