"Other? Fish in the Sea: Finding Nemo as an Epic Representation of Disability

UNCG Author/Contributor (non-UNCG co-authors, if there are any, appear on document)
Ann E. Millett-Gallant, Professor (Creator)
Institution
The University of North Carolina at Greensboro (UNCG )
Web Site: http://library.uncg.edu/

Abstract: The animated feature "Finding Nemo" swept the box office last summer, and audiences of all ages and critics alike were overwhelmed by how a seemingly simple story had made such a splash. Recently having a second life on DVD, the film has become the most financially successful film of 2003 and the largest grossing animated feature of all time, outshining Disney/Pixar's previous hits Toy Story I and II and Monsters, Inc., as well as its competing summer blockbusters. "Finding Nemo" surfaced as a characteristic Disney epic adventure and heart-warming coming of age tale with resplendent twists. The plot follows a young clown fish, Nemo (Alexander Gould), who is separated from his father, Marlin (Albert Brooks), by the human intervention of a scuba diver and held captive in the office fish tank of a Sydney, Australia dentist (Bill Hunter). Nemo is rescued through the joint efforts of exotic, yet familiarly goofy, ironically down-to-earth, and cleverly caricatured populations of marine creatures. Seagulls, pelicans, turtles, manta rays, jellyfish, squid, starfish, sharks, whales, lobsters, other curious crustaceans, and a glorious array of tropical fish in all configurations and designs animate the film's lavish oceanic world. The creatures are not only strikingly heterogeneous in appearance, but also have international accents or dialects and personas that convey a variety of social styles. This cast of characters, their tongue-in-cheek, witty dialogue, and appropriately colorful depictions add to the appeal and smash success of the film, as vivid and illusionistic artistry positions the viewer as a visually awed undersea explorer.

Additional Information

Publication
Disability Studies Quarterly
Language: English
Date: 2004
Keywords
Art, Disability, Motion Pictures

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