Capuzzo, Guy

UNCG

There are 5 item/s.

TitleDateViewsBrief Description
Identity through excess : trans identities expressed through hyperpop 2024 305 Hyperpop is a culturally rich genre that is densely populated by young transgender artists. Musicians drawn to this genre use its chaotic, excessive, and overwhelming sonic features to express their identities in unique ways that reflect evolving per...
Cool Kids Never Have the Time: The Music of the Smashing Pumpkins and Youth of the 1990s 2008 4295 The purpose of this thesis is to examine the connection between youth of the 1990s and the music of the Smashing Pumpkins. The introduction is used to provide the reader with pertinent background information on youth, the 1990s, alternative music, an...
William Duckworth’s The Time Curve Preludes and postminimalism 2016 3474 Composer William Duckworth’s piano cycle The Time Curve Preludes (1979) is considered to be the first work in a style called “postminimalism.” In the intervening years, postminimalism has become a popular compositional style. Even the most famous of ...
Making up for lost time: hypermetric equilibrium in two keyboard sonatas of Franz Joseph Haydn 2017 2355 The secondary stress on the third beat in a simple quadruple meter facilitates half-measure hyperbeats. Through the shortening or lengthening of hyperbeats and/or hypermeasures, the hypermetric downbeat may shift to mid-measure creating a second-half...
The year of the girl : nostalgia and girlhood portrayed in the music of Taylor Swift 2024 667 American singer and songwriter Taylor Swift is known to be one of the most successful artists within the music industry. Her successes have been attributed to her songwriting capabilities as well as her skills in performance. Swift also has one of th...