| Title | Date | Views | Brief Description |
|---|
| Terzetto no. 9 in D minor by Johann Daniel Grimm: in performance edition with analysis |
2012 |
1735 |
This study presents a performance edition, in full score and parts, of Terzetto No. 9 in D Minor by Johann Daniel Grimm, one of the first generation of Moravian composers. Previously, this trio existed only in manuscript form in the archives of the M... |
| “Curious inventions”: Carlo Farina's Capriccio stravagante |
2013 |
10821 |
Carlo Farina's 1627 Capriccio Stravagante uses four violin-family instruments (violin, two violas, and a violoncello-range instrument) to mimic other instruments such as trumpets, shawms, organs, and guitars. This investigation seeks to equip the mod... |
| Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini |
2018 |
1047 |
This document provides a pedagogical analysis of ten selected duets from Berio’s Duetti per due Violini to give violin teachers a technical overview of the skills required for playing and teaching the duets. Historical movements supporting the import... |
| An examination of school band literature as it relates to tuba pedagogy |
2019 |
792 |
Today, a wealth of pedagogical resources exists for the tuba compared to a century ago, and yet the educational standards for tuba playing in the concert band ensemble lag behind those of other instruments. Tuba players routinely receive less exposur... |
| Chinese-Western hybrid music: an introduction and exploration through the lens of Tibet Tone Poem by Sicong Ma and The Stream Flows by Bright Sheng. |
2019 |
878 |
This document analyzed and compared two Chinese-Western hybrid violin works through musical and theoretical analysis, as well as to present the historical background of the two Chinese composers and the influence of this on their composition. Both co... |
| Concertino for double bass and orchestra. “E.L.M.” |
2013 |
1497 |
In my musical experience as a double bassist and as a composer, I have engaged primarily with "cross-genre" music. Many of my compositions bring together influences from a wide range of world music traditions. The assimilation of and ability to authe... |
| Guided composition: a performer’s guide to an original work by composer Lance Hulme with an exploration of the interaction and collaboration between composer and performing artist |
2016 |
1099 |
For centuries composers have worked with performers to assist in the realization and expression of their musical ideas. As modern composers produce new works of music, performers are needed to contribute their expertise in producing accurate and idio... |
| An exploration of studio cultures : perspectives from established teachers of the violin |
2022 |
144 |
The purpose of this multi-case qualitative study was to explore how reputable violin professors develop the culture in their violin studios and to describe how those professors manage shared studio time. Data were collected through interviews with si... |
| A Polish opera becomes violin fantasy |
2022 |
175 |
Stanislaw Moniuszko (1819-1872) is considered the father of Polish opera, yet he is completely unknown outside of his native country. His contributions to Polish culture were enormous, including works like twelve volumes of Spiewniki Domowe (Domestic... |