Ezerman, Alexander

UNCG

There are 11 item/s.

TitleDateViewsBrief Description
William Henry Squire's out-of-print works for cello and piano: analysis and suggestions for teachers 2011 5890 This study presents a biographical overview of William Henry Squire's life, performance, and teaching career and a pedagogical analysis of his out-of-print works for cello and piano. The study is organized into two main parts. The first reviews Squir...
The multi-cello ensemble writing of Laszlo Varga: a study of his arrangements for multi-cello ensemble of the Adagio con variazione for cello and orchestra by Ottorino Respighi 2011 4367 This is a study of the process used by Laszlo Varga to arrange music for multi-cello ensembles. It details how that process was applied to both his first arrangement for Solo Cello and 8-part Cello ensemble, and his second arrangement for Solo Cello,...
Using the organ to teach the fourth suite prelude for violoncello solo by J.S. Bach 2012 4891 Among the Bach unaccompanied suites for violoncello, the fourth suite in E-flat major is probably the least familiar to listeners and young cellists. It is also the least idiomatic for the cello, and the most difficult movement is the prelude. Musica...
Luigi Boccherini’s string quintet in B-flat major, G. 312: a critical performing edition 2013 5655 The Italian cellist and composer Luigi Boccherini (1743 - 1805) composed 125 quintets for 2 violins, viola, and 2 violoncellos during his career. A vast majority of these works have never been published in modern editions, and those that have been pu...
A performance edition of Concerto in Modo Antico by Rudolf Matz 2024 58 Croatian cellist-composer Rudolf Vladimir Matz (1901-1988) composed “Sonata in Modo Antico” as part of his larger and widely praised pedagogical method entitled The First Years of Violoncello (Prve Godine Violoncela). Three orchestrated and expanded ...
Importance and pedagogical value of Three Sonatas for Two Cellos, Op. 43 by Bernhard Romberg 2014 6208 The Three Sonatas for Two Cellos, Op. 43 by Bernhard Heinrich Romberg were composed as a progressive performance work. The most widely used copy of the work is a C. F. Peters, Leipzig Edition edited by Friedrich Wilhelm Grützmacher. In this edition, ...
Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs 2015 1135 Peter Paul Fuchs’s Sonata for Violoncello Alone (1968)—previously unpublished—is typeset from the autographed manuscript through a methodical process of analysis and interpretation resulting in an urtext edition with critical commentary and a perform...
Beyond the corner: incorporating music into a juvenile detention center 2020 1546 Approximately 600,000 youth are detained in juvenile facilities annually (Ramirez, 2008) and 50%–80% reoffend following their release (Reed, Miller, & Novosel, 2017). The majority of these youth (70%) have experienced serious trauma and need rehabili...
The twenty-first century cellist's bibliography: a guide to cello research from 2000-2015 2016 12646 This study presents an annotated bibliography of over 270 books and dissertations on cello studies published or submitted between 2000 and 2015. Topics include General Reference, Instrument Studies, Cellists, Repertoire, Performance, and Pedagogy. Th...
The early compositions for cello and piano by Heitor Villa-Lobos 2019 1308 This study presents a historical overview of Heitor Villa-Lobos’s early life, career, surrounding environment, influences, selected early compositions for cello and piano written between 1913 and 1917, autographs, and of Rio de Janeiro from the late ...
An annotated collection of letters by Max Reger concerning his sonatas for cello and piano 2021 547 This document presents a collection of letters by German Modernist composer Max Reger (1873–1916) translated from German to English, many of them for the first time. The 97 letters selected for this study are written to Reger's friends and publishers...