Shape note singing: An American tradition with Kodaly applications

UNCW Author/Contributor (non-UNCW co-authors, if there are any, appear on document)
Daniel C. Johnson, Professor (Creator)
Institution
The University of North Carolina Wilmington (UNCW )
Web Site: http://library.uncw.edu/

Abstract: The article discusses the history and development of shape note singing in the U.S. Shape-note singing is recognized as one of the original style of American music. Shape-note singing derives its name from the use of shaped note-heads during 18th-19th centuries. It delivers significant remarks in both social and religious aspects. It cites that the music characteristics of the shaped notation assists music literacy.

Additional Information

Publication
Johnson, J. C. (2008). Shape note singing: An american tradition with kodaly applications. Kodaly Envoy, 35(1), 10-15
Language: English
Date: 2008
Keywords
Shape note singing, Music--History & criticism, Music--Instruction & study, Vocal music, Literacy
Subjects
Koda´ly, Zolta´n--1882-1967
Shape-note singing
Folk music--United States
Music education
Music--Instruction and study
Vocal music
Shape-note singing--History and criticism
Sight-reading (Music)

Email this document to

This item references:

TitleLocation & LinkType of Relationship
Kodaly Envoyhttp://www.oake.org/Envoys/Default.aspxThe described resource is a physical or logical part of the related resource.
TitleLocation & LinkType of Relationship
Sweet Is the Day: A Sacred Harphttp://www.folkstreams.net/film,44The described resource references, cites, or otherwise points to the related resource.