An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe).
- ECU Author/Contributor (non-ECU co-authors, if there are any, appear on document)
- Bonnie Rebecca Jackson (Creator)
- East Carolina University (ECU )
- Web Site: http://www.ecu.edu/lib/
Abstract: The present analysis summarizes and clarifies the compositional tools and techniques employed in Donald Grantham's Baron Cimetière's Mambo (2004) and Baron Samedi's Sarbande (and Soft Shoe) (2005) in the context of their dance styles and literary influence. The investigation will begin with a summary of the composer's life and compositional training, followed by a review of literature on the aforementioned dance forms and the Haitian Voodoo loas, Baron Cimetière and Baron Samedi. The analysis is organized into two chapters and utilizes a number of post-tonal compositional theories.
- Language: English
- Date: 1905
- Fine Arts, Music
|Title||Location & Link||Type of Relationship
|An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe).||http://thescholarship.ecu.edu/bitstream/handle/10342/2950/Jackson_ecu_0600M_10194.pdf||The described resource references, cites, or otherwise points to the related resource.