Mosely, Merritt

UNCA

There are 3 item/s.

TitleDateViewsBrief Description
A Method to His Madness: The Role of Insanity in Mikhail Bulgakov’s The Master and Margarita 2016 10800 When The Master, title character of Mikhail Bulgakov’s The Master and Margarita (1966), is first introduced in the novel it is within the confines of a Soviet era insane asylum, and in the novel, “madness” serves as a socio-historical satire of life ...
In Search of “Tremendous Frontiers”: A Socially Redemptive Reframing of Flannery O’Connor’s ‘The Displaced Person’ 2016 2168 With few exceptions, the scholarly solution to the mystery and ambiguity embedded in Flannery O’Connor’s work has been to highlight her condemnation of self-reliance and arrogance, to justify her use of violence, and to discuss the process of spiritu...
"A Positive Failure": Holy Foolishness, Paradox, and Narrative in Dostoevsky's "The Idiot" 2018 7118 The paradoxical and seemingly unredemptive ending of Fyodor Dostoevsky's "The Idiot" informs the reception of the novel as a failure; in this paper, the author argues that the novel's perceived failure and weaknesses serve a problematic ad hoc ending...