Gonzo autoethnography: The story of Monkey
- UNCG Author/Contributor (non-UNCG co-authors, if there are any, appear on document)
- Justin Harmon, Assistant Professor (Creator)
- Institution
- The University of North Carolina at Greensboro (UNCG )
- Web Site: http://library.uncg.edu/
Abstract: The present study explores the norms of community that are re/produced in the liminal leisure space of a formerly fan-organized music festival. Guided by the concept of communitas, we examined the manner in which fans attempted to exercise their agency in the construction of the weekend against the structure imposed by the promoters. To do this, we developed a creative analytic practice we call gonzo autoethnography, which draws inspiration from Hunter S. Thompson’s gonzo journalism and sheds any claim to objectivity to blend social critique and satire to tell the story of the phenomenon of interest. To do this, we rely on a totem from the music scene to embody the connections, concerns, and frustrations of the devoted fanbase. As such, this particular case offers leisure scholars an opportunity to explore the limitations of fans’ agency in affecting participation in meaningful leisure activities through a nontraditional lens.
Gonzo autoethnography: The story of Monkey
PDF (Portable Document Format)
556 KB
Created on 2/10/2020
Views: 1407
Additional Information
- Publication
- Leisure Sciences
- Language: English
- Date: 2018
- Keywords
- creative analytic practices, leisure, gonzo, music