Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute
- UNCG Author/Contributor (non-UNCG co-authors, if there are any, appear on document)
- Irna Priore, Associate Professor of Music Theory (Creator)
- Institution
- The University of North Carolina at Greensboro (UNCG )
- Web Site: http://library.uncg.edu/
Abstract: Luciano Berio’s first Sequenza dates from 1958 and was written for the Italian flutist Severino Gazzelloni (1919–92). The first Sequenza is an important work in many ways. It not only inaugurates the Sequenza series, but is also the third major work for unaccompanied flute in the twentieth century, following Varèse’s Density
21.5 (1936) and Debussy’s Syrinx (1913). Berio’s work for solo flute is an undeniable challenge for the interpreter because it is a virtuoso piece, it is written in proportional notation without barlines, and it is structurally ambiguous.
Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute
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Created on 12/12/2013
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Additional Information
- Publication
- Language: English
- Date: 2007
- Keywords
- Music Theory, Luciano Berio, Sequenza, Solo Flute