The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings

ECU Author/Contributor (non-ECU co-authors, if there are any, appear on document)

Joanna Pepple (Creator)

Institution

East Carolina University (ECU )

Web Site: http://www.ecu.edu/lib/

Advisor

Amy Carr-Richardson

Abstract: The variation movements of Johannes Brahms portray a continuous development of his musical discourse. Regarding variation form he advocated for formal unity and the important role of the bass throughout his letters. In his music he invented a language of theme and variation capable of creating new structures through old forms. The present analysis studies Brahms's approach to theme and variation through four representative movements from his chamber works for strings: Op. 18/ii Op. 36/iii Op. 67/iv and Op. 111/ii. Comparing these movements reveals a continuous development of his musical rhetoric in the variation genre. By challenging the historic aesthetics of variation technique through a progressive release of structure Brahms establishes a discursive goal-directed language within a recurring framework. He thus asserts his individual voice within a traditional form contributing to the genre of theme and variation with an ongoing teleological dialogue. 

Additional Information

Publication

Thesis

Date: 2012

Keywords

Music, History, Performing arts, 19th-century music, Chamber music, nineteenth-century music, recursive, romantic music, theme and variation

Subjects

Brahms, Johannes, 1833-1897--Analysis, appreciation

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