ALL
ASU
ECSU
ECU
FSU
NCCU
UNCA
UNCC
UNCG
UNCP
UNCW
WCU
ALL
ASU
ECSU
ECU
FSU
NCCU
UNCA
UNCC
UNCG
UNCP
UNCW
WCU
Browse All
Titles
Author By Last Name
Keywords
Departments
Theses & Dissertations
Titles
Author By Last Name
Advisor By Last Name
Keywords
Type
Degrees By Discipline
Submissions
Articles, Chapters, & other finished products
Elizabeth Keathley
Associate Professor
Music,
UNCG
elkeathl@uncg.edu
336-334-5911
236 Music Building
http://performingarts.uncg.edu/bios/elizabeth-keathley
There are 5 included publications by Elizabeth Keathley :
Title
Date
Views
Brief Description
A Context for Eminem’s “Murder Ballads”
2002
3054
The media coverage of rapper Eminem in the days immediately preceding and following the 2001 Grammy awards rehearsed a number of common tropes regarding controversial art forms: is free artistic expression more important than a moral social order? Is...
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon. By Ellie M. Hisama
2006
2372
This article is a review of the book “Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon” by Ellie M. Hisama.
Postwar Modernity and the Wife's Subjectivity: Bernstein's Trouble in Tahiti
2005
4896
Leonard Bernstein's short opera Trouble in Tahiti (1951-52) is a humorous but scathing satire on postwar consumerism and bourgeois marriage. Such critiques are now so commonplace that it may be difficult to appreciate the opera's political edge unles...
Taste, Disgust, and Feminist Aesthetics
2006
1881
The fourth volume in the Routledge series “Understanding Feminist Philosophy,” Carolyn Korsmeyer’s Gender and Aesthetics: An Introduction, aims to provide undergraduate philosophy students with some grounding in feminist aesthetics. The initial chapt...
Women Composers and Music Technology in the United States: Crossing the Line, by Elizabeth Hinkle-Turner
2009
2190
This article is a review of “Women Composers and Music Technology in the United States: Crossing the Line” by Elizabeth Hinkle-Turner.