The effects of guided aural versus guided aural-visual modeling on the performance achievement of beginning string instrumentalists

UNCG Author/Contributor (non-UNCG co-authors, if there are any, appear on document)
Susan Rose Quindag (Creator)
Institution
The University of North Carolina at Greensboro (UNCG )
Web Site: http://library.uncg.edu/
Advisor
James W. Sherbon

Abstract: The purpose of this study was to determine if modeling conditions had a significant effect on the performance achievement of beginning string students. During phase I, guided aural and guided aural-visual modeling tapes of Applebaum's String Builder, Book 1, were produced for violin; a two-part Likert scale adjudication form was designed and tested; a pilot study was conducted; and companion guided aural and guided aural-visual modeling tapes were produced for viola, cello, and double bass. During phase II, the main study was conducted to test the null hypothesis: There is no significant difference in performance achievement as a result of practice conditions under three levels of experimentation--guided aural modeling, guided aural-visual modeling, and no modeling conditions. Twenty-three fourth-, fifth-, and sixth-grade beginning string subjects were administered Gordon's (1965) Music Aptitude Profile and Dunn, Dunn, and Price's (1988) Learning Style Inventory. Subjects were assigned randomly to one of three treatment groups and received instruction in a heterogeneous string class. After four weeks, the 10-week treatment period began; group I practiced with the guided aural model, group II with the guided aural-visual model, and group III without modeling conditions.

Additional Information

Publication
Dissertation
Language: English
Date: 1992
Subjects
Bowed stringed instruments $x Instruction and study $v Juvenile
Bowed stringed instruments $x Instruction and study $x Audio-visual aids

Email this document to