| From Theory to Practice in the Translation of Emiliya Dvoryanova’s Novel Concerto for a Sentence |
2012 |
867 |
In the first part of my thesis, I use a theoretical model proposed by Antoine Berman in the 1980s to elicit the difficult points in the translation of Emiliya Dvoryanova’s text with special attention to the practices of foreignization. Berman’s theor... |